I recently read Dodger by Terry Pratchett and The Last Dragonslayer by Jasper Fforde and enjoyed them quite a bit. Pratchett and Fforde are two of our foremost writers of humor and fantasy and reading them so close together in time got me thinking about humor and fantasy (using fantasy in the broad sense of the term — perhaps the fantastic would be more precise, but whatever). Two other recent data points are strong in the mix as well: the very different (from Pratchett and Fforde) still very funny use of humor in Sharps by K. J. Parker and my ongoing fascination with Rob Balder and Xin Ye’s Erfworld comic/illustrated story and why I find it not only funny, but also quite affecting.
I know people who hate this kind of stuff. I can understand that. On one level, humor takes what is already fake and adds another layer of artifice. And yet I think that it doesn’t have to operate that way for all readers. And I love it not only because it makes me laugh, but also because it seems to feed my mind/soul in some way.
When humor in the fantastic works for readers, I think this is why:
If readers can let the world of the humorous story be real in their mind.
If that world exists in the readers mind amidst a backdrop of fantasy tropes, and especially amidst the high-minded tone of standard epic fantasy.
If the puns, contrasts, incongruities, violations of expectations, slapstick, etc. in the work of fantasy humorists (good ones) are well- and deftly executed and done so within strong characterization and a good plot.
Then not only is the world of the narrative at hand made absurd/punctured, but such a puncture also deflates the standard tropes.
And in so doing, the reader experiences the humanity of the situation — the reality of it — as in: the weakness, the absurdity relates to the weakness and absurdity found in the lived experience of humanity.
I may be missing some elements, but I think that’s what Pratchett, Fforde, Parker and Balder/Ye are doing. And it’s an experience to be treasured.